Going to view October 1-the movie on October 1-the celebration, was a dear friend’s treat & I cannot thank her enough.
Oh, I could go on and on about what we went through to be able to view the movie, most of which was our fault. While waiting outside the auditorium for our time schedule as we had missed our intended, we even contemplated leaving.
Then, a few minutes later the doors were thrown open for the auditorium to let out the full capacity viewers (who had viewed the time slot we missed) like a retching whale.
A particular lady (who had just finished viewing) was loudly going on and on about the movie, promising “to come watch it tomorrow”, and saying how the movie could “…make you detest the ‘oyinbos‘ for what they did to us” (King Leopold’s ghost and a few other titles along this thought lines came to mind, I shook my head thinking, if only you had an inkling…)
Then it was our turn to go in. I had already read the synopsis but abstained from the watching the trailer because I could figure the movie out (it was that predictable to a critical minded viewer who knows to ask pertinent questions), my friend begged me to give a hint of what I knew from the synopsis but I resisted to the very end.
The movie began and like most of Kunle Afolayan’s works, I was enthralled by the quality of work, strength of cast and all that. I settled into the movie tweeting a couple of times @kunleafolayan, the humour was contagious and hearty, the movie could take the viewer in and captivate such.
For the deep viewer, the mind of the writer is translated to such.
Though the entertainment bit was not lost on me, he did bring to bear the deeper import of the movie for me. As one who shy away from discussing Nigeria: all its attendant woes & a few blessings in the mix, this movie took me back to the foundation, depicting some fundamental fault lines and bringing many texts that have shed light on these interesting morasses that have plagued us as a people/ nation, to the fore.
We have always complained as a people that our foundations were wrong and most other things, but the reactions of the people around me today reinforces the fact that very few truly have an idea of what our foundations looked/felt like.
For so many, it was the entertainment, brilliance and ‘superficial sentiments’ I remember saying to a young lady sitting by me, “…you are not getting the full import of the movie.” The poignance of the closing dialogues had me sobbing, and that drew a few curious stares.
One thing though, I didn’t really understand Deola Sagoe’s character’s role in the movie. Much as I respect Ma Kuti, what was the need for her character in this movie?
Kunle Afolayan (fast becoming one of my favourite persons of all time)’s October 1-the movie, depicted Nigeria in a microcosm.
You have to be smart to look beyond the entertainment facet and see the salient points that today define our nationhood-oh he tried to capture it all- nepotism, tribalism, religion, ethnicity, racial supremacy and status quo, diligence, honour, violation, camaraderie, bias, love, hate, hurt-physical, emotional, psychological, irreparable/needless losses, unfulfillment and my, did he do a good job of it!
An education of sorts & a brilliant metaphor!
In the end, I say WELL DONE Tunde Babalola, for writing this thought provoking piece, Kunle Afolayan for all else you had to do to make this what it is & the stellar cast for a brilliant interpretation of characters, WELL DONE everyone!